Tag Archives: dimarzio

70’s Gibson The Paul with Dimarzio Super Distortion Pickups

The Aware Guitar Player

70’s Gibson The Paul with Dimarzio Super Distortion Pickups

Used price range: $800-$1200
One Sentence Summary: “Gibson: Finding ‘The Paul.’”


This is one of those 70’s Gibson guitar that you don’t find often because they hidden in people’s collections. This was a guitar that throughout my guitar playing years that I wanted to have, especially the earlier model with the walnut body and ebony fretboard. So when I found one in a local music store, I jumped at the opportunity to play it. The one I found had two Dimarzio Super Distortion pickups installed, but after playing it, I have since changed my mind, as why, I’ll explain below.

 

Neck feel:


This was my main reason for not wanting to get the guitar after playing it is because the neck didn’t connect with my hands. The fretboard is near exact in feel and width to my 1999 SG Special Limited Edition with an Ebony fretboard. The neck, however, wasn’t a thick neck, like the 50’s Rounded Profile on my SG, to make up for its skinny in width fretboard. It had a small V-like neck. It didn’t have the shoulder deepness on the neck like a Gibson 60’s Profile. Because of the small neck and satin finish on the neck, it felt easily breakable while holding it.
The fret access on this was very good. Much like an SG neck joint, it was close to its skinny body and made it easier to hit the 22nd fret on the low E string.

Fret Work:


The fretboard on this guitar was, as stated earlier, near exact to the Ebony fretboard and frets on my SG. The action was average low around 1-2mm off the fretboard, and didn’t suffer from severe fret buzz. The ebony fretboard made it easy to fret down on, making legatos and fast playing happen easily. However, when bending and doing vibratos, the frets felt scratchy.
While two hand tapping on clean the guitar performed excellently because of the high quality Ebony fretboard. Legatos and trills were fast like a shred guitar on this thing. When sliding up and down the fretboard the fret ends didn’t feel like a bother. Finally, the guitar didn’t fret out with big bending.

Sound:


The Dimarzio Distortion is what it is, It will sound similar if not the same no matter what guitar you put it in. The neck Distortion pickup even had the same tone set but warmer than its bridge counterpart. You get that 80’s Metal clean and distortion tone no matter how you put it. The pinch harmonics were extravagant and had a lot of sustain, I love them, but I feel they held the guitar back a bit tone wise. I expected more tone with the walnut body it had.
Because of the pickup combination, they sound near the same as the Epiphone Ace Frehley model Les Paul that I played next to it, the only differences was that The Paul had more output on the bridge pickup while the neck pickup on The Paul was a little cleaner sounding and Dimarzios on The Paul overall had a bit more flare.

Finish:


There wasn’t much of a finish on the guitar, it was a satin finish all across the guitar. The neck felt faster because of the satin neck, but it felt delicate, it’s not something I would be swinging around on stage without fear of the headstock or neck breaking. It didn’t feel like it had enough reinforcement without the thicker finish you usually get from Gibson. I could see why a lot of these stay in their cases, not because they’re bad players, but because they’re more meant to be collector guitars.

In Conclusion:


Guitar Level: Pro (in current setup)
Best Fit: Studio/Collector/Home Player guitar
Best for Rhythm or Lead: This guitar could fit either real easily.
Has Value for studio use: In the current setup with Dimarzio pickups, if you’re comfortable with the smaller neck, Yes. Even though, stock, you don’t get more than the standard Les Paul options, with Dimarzio pickups you can create all the tone hacks that you want. The pickups in combination with this guitar will sound clear, clean or under Distortion, and fit the best when you’re trying to recreate 80’s Metal tone or the lower tuning Metal of today.

 

Worth the Price?

Yes, It’s a rare collector guitar that’s pleasing to play, and sounds maybe even better with the Dimarzios than stock, but I told you why I didn’t want to buy it. For me it was a no because, I can’t stand having a guitar that I don’t like playing. The neck wasn’t right for me and would affect how often I’d pick it up, I wouldn’t spend $800 for something I couldn’t feel comfortable playing.
But there’s the lesson, sometimes because you have an ideal guitar from a webpage standpoint, it doesn’t mean it’s actually the ideal guitar for you.
Bluntly, GO PLAY AS MANY GUITARS AS YOU CAN!

BC Rich Bich 10 String Black

The Aware Guitar Player

New Price: $799
One Sentence Summary: “The BC Rich Bich: Not the 10 String You Were Expecting”


The BC Rich Bich 10 string is BC Rich’s Korean import version of their custom shop 10 strings. When I bought this guitar, I was attracted to the body style and the sound, I knew it was a rare optioned guitar. The guitar was an instant buy. If I didn’t buy it in the music store at that moment, the other three guys vying for it behind me would have. Unfortunately, I’d come to find that this guitar wasn’t everything I thought based on first experience.
The special options that came on this guitar were the extra 4 strings plus tuners, Neckthrough maple, ebony fretboard, Rockfield Mafia pickups (Korean made G & B), and M.O.P diamond inlays. Even though I got this guitar at about half off because someone chipped it after I bought it, I was surprised by how much more you get with a brand new Mockingbird ST for $100 less. I felt repulsed as a Bich lover that you get charged more for buying a 10 string with cheaper parts. During the year the two guitars were made, all the specs were the same except, for the Mockingbird’s Korean made Floyd Rose Original, Grover Imperial tuners, Quilted Maple veneer, and ST electronics. If you consider that a brand new Floyd Rose Special (closest tremolo to compare) costs about $99 retail and $90 retail for the Grover tuners. the Bich overall has less name-brand hardware that doesn’t add up to being more expensive as a lot of the parts used are cheap Korean mass produced parts. That means you’re getting charged more for the Bich and 10 string style and getting shortchanged with cheap tuners and lack of options. Of course, the Perfect 10 String Bich is a much more fairly priced with its ST electronics, neck binding, and cloud inlays, but the regular 10 string Bich, which was going for the same price new, had lacked all these options.

 

Neck Feel:


Fact is 10 strings are made for people with bigger hands or long fingers. The width of the last fret was 58mm and the neck was around 0.900” depth at the twelfth fret. The neck also had a bit of shoulder on it as it was a “C” shape. Even when it was set as six string, the neck was too large to feel comfortable to me. In comparison, it felt much wider but thinner than my 80’s NJ Warlock, also wider and thicker towards the twelfth to the heel than my Mockingbird ST. Compared to my NJ Classic Bich, the neck on the 10string had wider shoulders on the neck, but less square at the neck joint area. The neckthrough joint on this guitar was very comfortable and form fitted with your hand, but because of how thick the neck got at the 24th fret it was difficult to hit it on the low E string.

Fretwork:


First off, this guitar suffered from major issues. The neck on the neck through was not cut on the proper angle and made it impossible for low action, something I hadn’t noticed when I bought it. I had lowered the quad 10 string bridge and saddles down all they could go, but since the bridge was too bulky on the bottom, it had stopped around 6mm string action off the fretboard and couldn’t adjust any lower. The action was high all over the fretboard, making it problematic to be able to do complex licks on it without difficulty. The saddles of the quad bridge also rattled after being lowered. To fix this issue the bridge would have to have been recessed, meaning a cavity would have to have been cut into the body using a router and the post holes drilled deeper. I was warned by local luthiers that there could be more chip outs in the guitar in doing this job because of the cheap finish and it would be $200 to do the job. I had a trade pending on the guitar so that was not an option for me.
As far as the frets, they were advertised as jumbos, but looked and felt quite wider than regular jumbos on other BC Rich guitars. You could feel the frets on the side of the neck occasionally, but not that bothersome, and the frets felt a bit bulky especially when sliding.
Two hand tapping was decent on a clean channel – not bad but not great. Legatos and trills suffered because of the unfixable high action. When testing, bending the guitar would fret out around the 12th to 17th fret at around a step and a half on the higher three strings. The high E and B strings buzzed, when set up as a six string, from the 12th to 15th frets.

Sound:


The Rockfield Mafias produced a beautiful tone full of depth when combined with the 10 string. The guitar could easily be used to do ballads as well as straight Rock to Heavy Metal. The pickups seem to do the best, sustain, volume, and harmonic wise when adjusted close to the strings. With these pickups, I’ve noticed that when you adjust them closer they grow louder, have more sustain, and harmonics sound fuller. The 10 string aspect add a certain attack when you do full chords on clean, but when set to distortion, the more distortion you put on, the harder it is to tell by sound that it’s a 10 string. The extra 4 strings seem to meld in with their counter parts under heavy distortion.

Finish:


The guitar had a majorly glossy finish that showed through every fingerprint, scratch, and dent. The neck was a type of glossy that slowed down your hand when sliding. Not to mention that the finish was weak and prone to damage easy. The black finish and chrome hardware are very standard Heavy Metal colors, especially for BC Rich, but the glossy black finish helps show off that it’s a 10 string which is something I liked.

Options:


Unfortunately, this guitar’s stock tuners weren’t worth the bottle cap you could throw at them, which is terrible for a guitar that has tuners on both sides. It would go horribly out of tune on all strings after an hour of play. The extra strings commonly dropped a step to half a step when playing within ten minutes. To replace all the tuners would be expensive or a big project, mostly because of the cost – an extra $120 for decent tuners plus Luthier fees if you’re going use one. You would have to buy two sets of tuners (one 3 on each side and one 6 in line for the body), but have two tuners left over.

In Conclusion:
Guitar Level: Mid-level.
Best Fit: Home Player/Show-off guitar.
Best for Rhythm or Lead: With its quality issues lead playing would be harder than doing rhythm on this guitar.
Has Value for studio use: Yes, if you can play through the action and keep it in tune. The 10 string was made to take out the muddiness of the E and A string in a twelve string under distortion. It was made with sound in mind.

Worth the Price?

If you were to pay $799 , maybe no. I paid about $400 because of the damage it took, but I soon found out the quality on this guitar does not run high and because it was an instant buy I wasn’t able to do the checks I usually do. After a while I wasn’t as pleased with it and traded it to get my Gibson SG. But, if I paid the full amount, I would be demanding a replacement or refund for full amount. $800 could have gotten you other guitars which don’t have as many quality issues. There’s also the idea maybe – that maybe – I was the unlucky one. That the one Bich I bought was the genetic flaw of the bunch of the large amount of guitars birthed out of Korea and there are more of the same guitar that don’t have these issues, or cynically, maybe not. Be warned though; there are genetically flawed guitars running wild and the issues found on mine might be a common issue with this model